In the late 1970s, a wave of synth‑driven pop and early disco was sweeping across Europe and North America. Among the many tracks that captured the era’s glossy optimism, “Feels So Good” by the little‑known act stands out as a curious artifact. Though it never broke into mainstream charts, the song has acquired a cult following among collectors of obscure 1970s pop and has resurfaced in recent years thanks to online file‑sharing communities that specialize in “lost” vinyl and cassette treasures.

Despite their low budgets and explicit nature, many of these films were shot by highly skilled crew members, featuring vibrant lighting, experimental framing, and jazz-funk soundtracks characteristic of the late '70s. Analyzing "Eros School: Feels So Good" (1977)

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While the specific content of "Eros School Feels So Good -1977-" is not readily available, its significance lies in its representation of the evolving attitudes towards sex education and relationships during the 1970s. This resource likely played a role in shaping the way people thought about and understood these topics, particularly in an educational setting.

He stalks her, posting signs around the school, and he eventually shows up at the big track meet to claim his final conquest. This sets the stage for the film's notorious, taboo-busting finale. In a truly unforgettable and offensive scene, a frustrated teenage boy ends up having sex with Ryu's pet pig, capping off the film with an act of bestiality that leaves most slack-jawed.

In the 1970s, the historic Japanese film studio shifted its focus toward the "Roman Porno" genre to counteract severe financial competition from television. This business pivot required low budgets, fast production cycles, and a strict rule: a minimum number of nude scenes per hour.

The film uses sexuality as a tool for comedic rebellion against rigid societal expectations.

For those interested in film history, further research can be conducted through academic archives or by exploring the biographies of prominent directors of the era who later transitioned into mainstream Japanese cinema. Share public link

His ultimate prize is the school's beloved athletic star and class president, Misa (Asami Ogawa). The film follows a repetitive, surreal pattern where Ryu systematically works his way through the female students, often while being followed by a pot-bellied pig. The movie's tone is an uneasy blend of slapstick comedy and sleazy exploitation. The movie's most infamous scene, and the one that is often cited when discussing it, is its bizarre and shocking finale involving a teenage boy and the pet pig.